Albert, the angry brown pudding with sticks for legs, is immortal. Many creatures — both human and otherwise — dig into him, but there's always more. And as Norman Lindsay's The Magic Pudding turns this year, it seems our appetite for this story is endless too: not only has the book never been out of print, but it has been adapted for screen and stage most recently by Victorian Opera many times over. As Lindsay's granddaughter Helen Glad says of the story: "Like a good Christmas cake, wedding cake or plum pudding, it ages quite well. Its enduring popularity has something to do with the vivid characters and illustrations Lindsay created: Bunyip Bluegum the koala, Bill Barnacle the sailor, Sam Sawnoff the penguin, and that famously cranky magic pudding. In his introduction to the edition of The Magic Pudding, English novelist Philip Pullman author of the best-selling His Dark Materials series described it as one of his favourite children's books — and suggested another reason for its ongoing appeal: "I think it's the funniest children's book ever written. Published at the end of WW1, The Magic Pudding feels like a welcome distraction from the human losses and food shortages of the Great War, with its patriotically Australian native animals and its never-ending source of nourishment. But the book's origin story actually begins with an argument — and a bet — between Lindsay and his friend, literary and art critic Bertram Stevens. At a Melbourne exhibition in , one of Lindsay's drawings elicited so much outrage that it was removed from display. Lindsay died in , having written 11 novels for adults plus another children's book The Flyaway Highway, published in that didn't prove as popular as the pudding.
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View Previous Version. National Gallery of Victoria, Thomas Williams , Wesleyan missionary. The Lindsay family, originally from Ayrshire, Scotland, had settled in Tyrone in the late seventeenth century and prospered in the linen trade. Robert, after graduating in medicine at the University of Glasgow, sailed as medical officer in the Red Rose and reached Melbourne on 16 June He began to practise at Creswick and on 18 May at Ballarat married Jane. The boys were educated at the local state school and at Creswick Grammar School, where Percy, Lionel and Norman in turn edited the Boomerang , its unofficial magazine. Their early interest in art was encouraged by their maternal grandfather who took them on regular visits to the Ballarat Fine Arts Public Gallery where Norman's imagination was fired by Solomon J. Solomon's 'Ajax and Cassandra'. The eldest son Percival, born on 17 September , early showed an interest in art, receiving encouragement from S.
Norman Alfred William Lindsay 22 February — 21 November was an Australian artist, etcher, sculptor, writer, art critic, novelist, cartoonist and amateur boxer. When friend and literary critic Bertram Stevens argued that children like to read about fairies rather than food, Lindsay wrote and illustrated The Magic Pudding , now considered a classic work of Australian children's literature. Apart from his creative output, Lindsay was known for his larrikin attitudes and personal libertine philosophy, as well as his battles with what he termed " wowserism ". One such battle is portrayed in the film Sirens , starring Sam Neill and filmed on location at Lindsay's home in the Blue Mountains , west of Sydney. Thomas Williams, Wesleyen missionary, from Creswick. The fifth of ten children, he was the brother of Percy Lindsay — , Lionel Lindsay — , Ruby Lindsay — , and Daryl Lindsay — Their son Jack was born in Melbourne on 20 October , followed by Raymond in and Philip in They divorced in He later married Rose Soady who was also his business manager, a most recognisable model, and the printer for most of his etchings.
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